At end of text: Contributed by B.W. Issued by The American Outpost, Adlwych House, W.C.2.
Poetry. Printed in red and black. At end of text: Sister Mary Norbert Korte, O.P. A Cranium free poem. Suggested publication date from acquisition date of Brown University copy.
Page [2] blank. At end of text: A.M.H.
Poetry and prose. Photograph of man's friend captioned: Roy K. Moulton at upper left.
![A good [wife]: and, Star spangled [banner]](https://repository.library.brown.edu/viewers/image/medium/bdr:281817)
Original width not known. Printed in two columns divided by vertically printed line of advertising between type ornaments: Sold wholesale & retail corner of Merchant's Row, & Market Square (upstairs)--Boston. Leonard Deming was at this address from 1829 to 1831. Variant of Ford 3136.
By Rev. Joseph H. Hilts. At end of text: Dundas, Aug. 21st, 1892. Printed area: 16.7 x 11.6 cm. Text printed in two columns, separated by a triple rule (lines varying in length), all within border of type ornaments. First line: We first met in a meeting.
Broadsheet printed in calligraphy on heavy paper On recto colored waist-length portrait of little boy against gold ground, captioned: Best New Year wishes; on verso poem in calligraphy with drawings of flowers in margins. Title from first line of poem on verso. At end of poem: Copyright Samuel K. Cowan, M.A. Suggested range of publication dates from internal evidence.
Poetry. Cover title. Cut of snowflake below title. At end of poem: Samuel French Morse. Colophon on page [4]: Printed at the Cummington Press for Christmas 1944. The snowflake was drawn by Wightman Williams. First line: The constellations turn; we heed them, so.
Poetry. Cover title. Cut of snowflake below title. At end of poem: Samuel French Morse. Colophon on page [4]: Printed at the Cummington Press for Christmas 1944. The snowflake was drawn by Wightman Williams. First line: The constellations turn; we heed them, so.
Printed in two columns divided by thick black line; within mourning border with memento mori (Reilly 31) centered on top; title and colophon boxed. Two angel type-ornaments (Reilly 726) at end of text in second column. At bottom, within two thick lines: Boston: Printed and sold at the Printing-Office in Milk-Street. MDCCLXX. Internal evidence of woodcuts and address may indicate the firm of John Kneeland and Seth Adams as printers.
Broadsheet printed in colors on heavy white paper; text on verso in black. On recto colored illustration of politician resembling Grover Cleveland on platform with African-American servant, handing out soap packages to crowd from box labeled: B.T. Babbitt's Best Soap. On verso poem entitled: Babbitt's Best Soap, type-signed: Address, B.T. Babbitt, New York City. Caption title. Advertising card for soap. Suggested range of publication dates from internal evidence.
Pages [2,4] blank. Printed in red and black. 1 of 1000 copies. Broadside laid in with "Deus" at head.
Brother Antoninus [i.e. W. Everson] Pages [2-4] blank. Text printed in terra-cotta. Blue woodblock printed by Everson of madonna and child on cover. Issued as St. Albert's College Christmas card. D. Kherdian, Six poets of the San Francisco renaissance, 1967, no. 30 (p. 158)
Pages [2,4] blank. Printed in red and black. 1 of 1000 copies. Broadside laid in with "Deus" at head.
Brother Antoninus [i.e. W. Everson] Pages [2-4] blank. Text printed in terra-cotta. Blue woodblock printed by Everson of madonna and child on cover. Issued as St. Albert's College Christmas card. D. Kherdian, Six poets of the San Francisco renaissance, 1967, no. 30 (p. 158)
Printed in two columns. At end of text: Copyright U.K. and U.S.A. 1911- International and Overseas Magazine Ref. 4511 ..
At end of text: Chicago First edition. Written Oct. 16, 1918.
On pages [1] and [4]: Buy A. Bond.
On pages [1] and [4]: Buy A. Bond.
On pages [1] and [4]: Buy A. Bond.
Within ornamental border of type specimens delineated by double line borders.
Within ornamental border of type specimens delineated by double line borders.
Page [2] blank. At end of text: So rarely quoted is this gem by Walt Whitman and graciously brought to my attention by Jesse Merritt, Esq. ... Cover title.
