Pages [1, 4] blank. Within single line border with corner ornaments.
Harris Broadsides
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At end of text: T.P.D. Publication date approximation from internal evidence and because poem refers to Mount Auburn Cemetery (consecrated in 1831) as being imitated in Ashby.
Consecration hymn
Within ornamental border. At end of text: Written on the occasion of the first consecration service of the Church organized in the Universalist Parish, Westminster, Mass., Feb. 7th, 1869.
Conscription; the feelings of a registrant
Printed on blue paper.
Conscript song
"Sold at wholesale by Horace Partridge, importer, wholesale and retail dealer in fancy goods, toys, watches, jewelry, Yankee notions, &c., no. 27 Hanover Street ... Boston" Song in four verses with chorus
Conroy & Fox's Oh, Mrs. O'Flarity songster
Printed in six columns divided by single lines. Words of 32 songs and advertisements for books.
Connecticut free-will offering hymn
by Mrs. M.M. Andrews. Hymn, in 3 stanzas. At head of text: Tune--Coronation. Printed area: 10.9 x 8 cm. At head of title of second hymn: Qui transtulit sustinet. (Motto of Conn. State Seal)
Confirmations-Lied
Printed in one and two columns divided by curvilinear line within border of type ornaments. Printed area measures: 15.9 x 13.9 cm. To be sung to the tune: Wo ist Jesus mein Verlangen? Text of hymn in four numbered eight-line stanzas. Includes Confirmations-Schein, below double rule, a certificate of confirmation in the "evangelisch-reformierte Kirche" with blank spaces left for the confirmand's name and date, after "ein Tausend acht hundert und." Place of publication and suggested date from dealer.
Confirmations Lied
Printed in two columns divided by double line within border of type ornaments. Printed area measures: 19.7 x 15.5 cm. Text of hymn in 10 numbered seven-line stanzas. At end of text within borders: Gedruckt bei Johan Bär. Suggested range of publication dates from internal evidence.
Confirmation
Bruce Bawer. Poetry. Page [2] blank. Printed in black; title in blue. Colophon on page [4]: This poem is for Christopher Davenport .... Michael Peich printed 150 copies. First line: How is it that an old devotion calls.
Confirmation
Bruce Bawer. Poetry. Page [2] blank. Printed in black; title in blue. Colophon on page [4]: This poem is for Christopher Davenport .... Michael Peich printed 150 copies. First line: How is it that an old devotion calls.
Confirmation
Bruce Bawer. Poetry. Page [2] blank. Printed in black; title in blue. Colophon on page [4]: This poem is for Christopher Davenport .... Michael Peich printed 150 copies. First line: How is it that an old devotion calls.
Confederate reunion, 1899: memorial poem
by C.S. Vedder. Page [4] black. Printed in two columns. Caption title. Poem in seven stanzas of varying length.
Confederate memorial
Within double line border; printed on yellow paper. At end of text: The above inscription was written on the back of a $10.00 Confederate note ..
Confederate memorial
Within double line border; printed on yellow paper. At end of text: The above inscription was written on the back of a $10.00 Confederate note ..
Confederate memorial
Within double line border; printed on yellow paper. At end of text: The above inscription was written on the back of a $10.00 Confederate note ..
Concrete dream CCXV
Medium blue paper printed in black; verso printed as a postcard. Poem in twelve lines. Type-signed at end: Guy R. Beining.
Concord and Lexington, a hundred years ago
Within double line border. At head of text: As sung by Messrs. Hutchinson and Kittredge, at the Centennial Celebration.
Concord and Lexington, a hundred years ago
Within double line border. At head of text: As sung by Messrs. Hutchinson and Kittredge, at the Centennial Celebration.
Concord and Lexington, a hundred years ago
Within double line border. At head of text: As sung by Messrs. Hutchinson and Kittredge, at the Centennial Celebration.
Concord and Lexington, a hundred years ago
Within double line border. At head of text: As sung by Messrs. Hutchinson and Kittredge, at the Centennial Celebration.
Concord and Lexington, a hundred years ago
Within double line border. At head of text: As sung by Messrs. Hutchinson and Kittredge, at the Centennial Celebration.
Concord and Lexington, a hundred years ago
Within double line border. At head of text: As sung by Messrs. Hutchinson and Kittredge, at the Centennial Celebration.
Conchology: The science of shells
Printed in brown on beige card stock. Reproductions of photos of shells on page [1] and [4] Advertisement for lectures on shells.
Concert of the Hudson Female Academy, Thursday evening, June 7, 1855
Within ornamental border.
Concert of sacred music, by the choir of the South Church, on Wednesday evening, May 13, 1840, at Half Past 7 o'clock
Within ornamental border printed in three columns divided by single lines. At head of text: Order of performance. Contains 16 hymns, etc.
Concert of sacred music, by the choir of the South Church, on Wednesday evening, May 13, 1840, at Half Past 7 o'clock
Within ornamental border printed in three columns divided by single lines. At head of text: Order of performance. Contains 16 hymns, etc.
Concert of sacred music, by the choir of the South Church, on Wednesday evening, May 13, 1840, at Half Past 7 o'clock
Within ornamental border printed in three columns divided by single lines. At head of text: Order of performance. Contains 16 hymns, etc.
Concert of ancient sacred music in the Pearl Street Church, Hartford: Wednesday evening, Jan. 18, 1854, for the benefit of the Orphan Asylum
Page [1] within border of type ornament sections; pages [2]-[4] printed in two columns divided by curvilinear lines. Cover title. Program includes text of 23 hymns and an anthem, each with a title and number referring to the music. First hymn is Paris, 35, beginning: He reigns; the Lord, the Saviour reigns.
Concert of Ancient Harmony!: For the benefit of the orphan asylum. Monday, April 11, 1853
Within ornamental border. At head of text: Programme.
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