Broadsides are single-sheet publications, often issued as ephemera or announcements. The Harris Broadsides Collection is a comprehensive collection of American poetry published in broadside format from colonial times to the present. The collection offers materials covering a broad spectrum of American life, and includes poetry of every description: 18th and 19th century ballads, verse describing newsworthy events, poetic effusions of sentimentality and patriotism, comic verse, and much more. When completed, this digital project will include over 20,000 titles.
by William Stafford. "Published ... for the Northwest poetry meetings held at the Museum, July 9, 10, 11, 12, in connection with the invitational exhibition, 'Paintings and sculptures of the Pacific Northwest', June 13 through August 9, 1959"--P. [6] Folded to produce 8 pages. On p. [1]: ill., The red chair (1959) by Sally Haley. Printed in black and illustrated in black and shades of gray, all on off-white paper. First line of Near: Walking along in this not quite prose way. Includes short bibliography of Stafford, also biographies of Stafford and Haley.
Frank T. Rios. Broadsheet. Contains nine poems. At head of title: Bowery Press; below title: Venice West/Denver. At end of recto: Bowery broadsheet #2 ... from The Bowery .. Text on recto within border of type ornaments; text printed in brown and red on mustard paper; ornamental rules in red and brown; and ills. in brown. First poem: The death poem (first line: It's getting cold)
Larry Eigner. Page [2] blank. French fold. One of 150 copies. Subtitle from title of poem on page [3] Colophon on page [4]: Hearse Press 1/18/59 150 copies. Printed in purple.
Larry Eigner. Page [2] blank. French fold. One of 150 copies. Subtitle from title of poem on page [3] Colophon on page [4]: Hearse Press 1/18/59 150 copies. Printed in purple.
Larry Eigner. Page [2] blank. French fold. One of 150 copies. Subtitle from title of poem on page [3] Colophon on page [4]: Hearse Press 1/18/59 150 copies. Printed in purple.
Poetry in eleven lines. Mimeographed typscript on white paper. At head of text in upper left: Free poems among friends. "Free poems among friends" had its beginnings in San Francisco in the Spring of 1967. By September publication was continued by the Detroit Artist's Workshop, later Detroit Artists' Workshop Press. (See "Free poems among friends, Vol. 1, p. [3]") This issue probably published in San Francisco.
by Frank O'Hara amd Norman Bluhm ; sponsored by New York University Art Collection. Page [4] blank. Cover title. On page [2] reproduction of poem-painting by O'Hara and Bluhm; words on painting begin, "It's raining and I'm thinking." Text by Bill Berkson entitled: "It's raining/and I'm thinking ..."
Printed from typed copy with author's manuscript correction in fourth stanza. According to information from Robert A. Wilson from the Phoenix Book Shop in a letter dated Dec. 12, 1962, the printer of Michelin's book "I kiss angels", published by Interim Books, "... let him type up the poem and then he ran off somewhere between 35 & 50 copies. Micheline brought most of them in to me. When I pointed out a lost word, he filled it in by hand. In other words, the publication date is approximately Nov. 15th." Hay Broadsds Harris copy: One of 35 or 50 copies with author's mss. correction in ink; autographed in pencil.
By S. Sanford. At end of text: Twelfth National Anti-Slavery Bazaar. Faneuil Hall, Boston, U.S. Suggested range of publication dates from internal evidence.
Printed in blue on heavy white paper in postcard format. Poem in two stanzas of three lines each and one of four. Type-signed at end: By Jerry Madson. Suggested publication date from date of other poems in series.
Printed in blue on heavy white paper in postcard format. Poem in two stanzas of three lines each and one of four. Type-signed at end: By Jerry Madson. Suggested publication date from date of other poems in series.
Printed on heavy yellow paper cut into shape of four-petalled flower. Gelatin silver print of woman's head collaged into center. Photo by Oaranos. Abstract totem-like image printed in blue and red on verso. Poem entitled Epomene on top and side petals.