Printed in red and black on white paper; text in black within ornamental red border. Title from first line. Poem in twelve lines. Suggested range of publication dates from internal evidence.

Ellen M. H. Gates. Printed in red and green on heavy white paper in postcard format. Illustration of sprays of roses around title. Poem in two six-line stanzas. Publication date from postmark on Brown University copy.

Pages [1,4] within single line border with corner ornaments.

Printed in two columns divided by double line within border of type arnament sections. Poem in 24 four-line stanzas. Suggested range of publication dates from internal evidence and because the Civil War is not mentioned.

Poem, protesting the destruction of Slate Rock [or What Cheer Rock] by the Seekonk River, in the course of road building during the Civil War. The rock had been traditionally associated with the arrival of Roger Williams in Rhode Island. Caption title. At end of text: Isaac P. Noyes. November 9, 1906. First line: Slate Rock, on the western shore of the Seekonk River.

Printed in red and black within red single-line border with ornamental corners. Poem in three six-line stanzas. Type-signed at end: Ralph Waldo Emerson. Suggested range of publication dates from internal evidence; Brown University copy acquired in 1949.

At head of title: Song.

At head of title: Song.

Program.

At center of title vignette of eye surrounded by rays. Program includes text of hymns.

composed by A.W. Harmon. To be sung to the tune: Just before the battle, mother. Caption title. Printed area measures: 20.3 x 13.1 cm. Poetry in 20 four-line stanzas printed in two columns divided by single rule; within double rule border. Also published under the title: Capture of William Wood, by the Blackfoot Indians. Possible range of dates suggested by internal evidence, e.g. border.

Within double line border. Brown Emerson was pastor of the South Church in Salem.

Program.

Printed area measures 24.6 x 15.7 cm. Poetry in 12 four-line stanzas about the engagement between the Enterprise and the Boxer in September 1813; printed in two columns. Cut of ship at head of title, flanked on right and left by slogan printed vertically: Free trade and sailors' rights or we will box it out. The cataloging record of the American Antiquarian Society attributes the printing to Nathaniel Coverly, Jr. comparison with the poem in "Naval songster ... " printed by Joseph White, Charleston, Mass., 1815, reveals close relationship in type setting, spacing, and textural contents also to White's printing.

Broadsheet printed in sepia on tan paper folded to create [6] pages. Below title on page [1] seal of Brown University inscribed: Sigillum Universitatis Brunensis and In Deo speramus. Includes text of five songs.

Printed in one and two columns divided by single line within border of type ornaments. Title from first lines. Program for concert May 10, 1866. In lower margin outside border: C.F. Bradley, 149 Main St., Cin'ti.

Within ornamental border. Contains hymns.

Words by H.W. Morgan. Page [2] blank. Cover title. To be sung to the tune: America. On page [3] text of song in five seven-line stanzas. Contains advertising.

Tune: Adam and Eve. At head of text: Sung by Mr. Hadaway, with unbounded applause. Thomas H. Hadaway was in Philadelphia in the 1830's and early 1840's, a time the 10 hour day was an issue.

Broadsheet printed in two columns divided by single line. On recto text of six Civil War songs beginning with: Little major (First line: At his post, the "Little Major") On verso household hints in prose, headed: These recipes are all of them good and valuable .... At head of text: By permission of Root & Cady, owners of the copyright. Suggested range of publication dates from internal evidence.

Broadsheet printed in two columns divided by single line. On recto text of six Civil War songs beginning with: Little major (First line: At his post, the "Little Major") On verso household hints in prose, headed: These recipes are all of them good and valuable .... At head of text: By permission of Root & Cady, owners of the copyright. Suggested range of publication dates from internal evidence.

Guillevic ; translated by Teo Savory. Broadsheet folded to create [8] pages. Six poems, each illustrated with a line or curve. Overstock from Unicorn Folio Series II, no. 3.

Poetry printed in two columns; type-signed at end: D.A. Levy 3.66. Mimeographed typescript on gold paper. At end of second column: Free poems among friends. "Free poems among friends" had its beginnings in San Francisco in the Spring of 1965. By September of that year publication was continued until 1967 by the Detroit Artist's Workshop, later Detroit Artists' Workshop Press. (See "Free Poems among Friends, Vol. 1, p. [3]")

Pages [2] and [4] blank. Printed in blue and black on white paper. On page [1] landscape illustration and white flowers on blue ground surrounding text. Poem in three stanzas of varying length on page [3] Imprint information from dealer.

Broadsheet printed on wheat-colored laid paper. Publisher's flier for books by Jellema. At left of poem: The lost faces. Rod Jellema, poems. Date from publication date of book.

Broadsheet printed on wheat-colored laid paper. Publisher's flier for books by Jellema. At left of poem: The lost faces. Rod Jellema, poems. Date from publication date of book.

Broadsheet printed on wheat-colored laid paper. Publisher's flier for books by Jellema. At left of poem: The lost faces. Rod Jellema, poems. Date from publication date of book.