by J.S. Born. 1 broadsheet. Broadsheet folded into thirds to create six pages. Title page with line ornamentation at top and bottom; illustration of lyre between title and author statement. Cover title includes statement: Copyright 1916.
by J.S. Born. 1 broadsheet. Broadsheet folded into thirds to create six pages. Title page with line ornamentation at top and bottom; illustration of lyre between title and author statement. Cover title includes statement: Copyright 1916.
by J.S. Born. 1 broadsheet. Broadsheet folded into thirds to create six pages. Title page with line ornamentation at top and bottom; illustration of lyre between title and author statement. Cover title includes statement: Copyright 1916.
Poetry. Oak spray beneath title. Poem in four numbered stanzas. Mentions fifteen thousand dollars raised in Providence for flood relief. Imprint date from date of flood. At end of text: This song must not be sung by professionals without permission from James H. Nolan, Olneyville, R.I. First line: Kind friends just pay attention and listen unto me.
To be sung to the tune: Battle hymn of the republic. Text of song in four six-line stanzas.
Pages [2] and [4] blank. Within double line border with corner ornaments; multi-colored print. At end of text: E.W.B.C.
Pages [2] and [4] blank. Within double line border with corner ornaments; multi-colored print. At end of text: E.W.B.C.
Tune: Columbia, the gem of the ocean. At end of text: ... by G.S.
Song welcomes Delia A. Webster and refers to her imprisonment for helping slaves. Song welcomes Delia A. Webster and refers to her imprisonment for helping slaves. Within ornamental border. To be sung to the tune: America. At head of text: The following lines are respectfully dedicated to Miss Delia A. Webster, the heroine of Free Labor in Kentucky, who has suffered in loathsome Southern prisons for her love of crushed humanity. Text of song in four seven-line stanzas. At end of text: P.S. Suggested range of publication dates because song seems to refer to the Civil War and the emancipation of American slaves in lines, "Oppressor's days were short, God has against them fought, Their idol, He hath brought To Freedom's shrine."
By E.W. Locke, Army Poet and Balladist. Text of song in six numbered four-line stanzas with four-line chorus beginning: Glory, glory hallelujah! Cut of eagle on shield below title. Printed area measures: 30.6 x 9.4 cm. Imprint information from attached second work: Entered according to act of Congress, by E.W. Locke, in the year 1862, in the Clerk's Office of the District Court of Maine. Printed on single sheet with author's McClellan is our man; intended to be separated.
by Jean Toomer. From Cane by J. Toomer.
Within ornamental borders.
Within ornamental borders.
Air: Never part again.
by Quien Sabe? Poetry in five five-line stanzas with chorus, beginning: Then let each jolly tar, printed in black within double-line border. Cut of sailing vessel between title and author's name. At end of text: Baltimore, Oct. 10, 1861. According to A. P. Ellinger's Southern war poetry of the Civil War, "Quien Sabe?" is one of N. G. Ridgely's pseudonyms.
by John Phoenix. French-fold; printed on double page in blue and black. Sewn into lettered blue paper wrapper. Cover title. "First printed in the San Francisco herald, May 4, 1856; reprinted by the Grabhorn Press from their edition of Phoeœnixiana." Issued as a 1938 New Year greeting by Marjory Bridge and Francis Peloubet Farquhar. Without music.
by Angela Morgan. Poetry. Printed in blue. Date suggested because of similar blue-lettered broadsides of poems from her books published in 1936. First line: I sing the song of a new Dawn waking.
Printed on brown paper. At end of text: This was writ att Boundbruck [i.e. Bound Brook, N.J.] March 13th AD 1777. Copied from MS. in possession of Geo R. Curwen, Esq., and printed to be sold at an Exhibition of Antique Relics, &c., held by the Ladies' Centennial Committee, of Salem, Mass., Dec. 15, 1875.
Pages [3] and [4] blank. At head of text: Respectfully inscribed to Colonel Upton and his command. At end of text: Worcester, Oct. 21, 1861.
Printed in two columns. Contains 4 songs and doxology. AN on verso: Order of songs at the Exhibition of the Hawes School, So. Boston, August 16th, 1843. First line: We're glad for the blessing.
The following song was written by Captain Lindley Miller, of the First Arkansas Colored Regiment. At head of text: The following song was written by Captain Lindley Miller, of the First Arkansas Colored Regiment ....
Pages [2] and [4] blank. Page [3] contains advertising. Printed on yellow paper.
Within ornamental border. Shaped poem.
Poem. At head of text, in square brackets: Auld lang syne. At end of text: Dedicated to De Molay Commandery, K.T., of Boston, by J.W. Dadmun, past commander. June 24, 1888. First line of text: Once more as Templars, good and true. First line of chorus: Then fill to Knights of other days.
Poem. At head of text, in square brackets: Auld lang syne. At end of text: Dedicated to De Molay Commandery, K.T., of Boston, by J.W. Dadmun, past commander. June 24, 1888. First line of text: Once more as Templars, good and true. First line of chorus: Then fill to Knights of other days.
